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CANTARILE EVANGHELIEI PDF

Thursday, May 9, 2019


Cantarile Evangheliei - The Book of Songs "The Gospel Songs". CÂNTĂRILE EVANGHELIEICUPRINS: 1. EL E DOMN 2. CÂNT ALELUIA 3. O CÂNTARE DE MĂRIRE 4. MULȚUMIM 5. IARTĂ-MĂ 6. Cum doreşte un cerb. Martin Nystrom. G B A D ## c D j & œ œ œ œ œ œ. œj œ œ œ œ œ œ œ œ. œ w m. Cum. 5. &. ##. do - reş - te un. D.


Cantarile Evangheliei Pdf

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CANTARILE EVANGHELIEI PDF - Cantarile Evangheliei - The Book of Songs " The Gospel Songs". Download Cantarile Evangheliei apk for Android. Cantati. 9 feb. Read reviews, compare customer ratings, see screenshots and learn more about Cântările Evangheliei. Download Cântările Evangheliei and. Download Cantarile Evangheliei apk for Android. Cantati Domnului o cantare noua!.

This direction laid the theological foundation of Lutheranism and of a liturgical order in which monodic music, according to the tradition of that time, was the common liturgical practice in the Evangelical churches. Once the new Italian influences emerged and the style of accompanied monody was applied, this practice also appeared in Transylvania, around s.

In Transylvania1, the first musical document, which indicated a continuous bass seems to be the Cantional of Jelna, drawn up between and , kept with Sibiu County Directorate of National Archives, Brukenthal fund, code JJ The manuscript contains over pieces of church music, of which for multiple voices, in Latin and German….

The new style of composition, already present in the musical practice of western Europe, reached Transylvania some time later. The use of the organ as a continuo instrument was not very common in mid 17th century. Doctoral Thesis, Cluj Napoca, The melody appears in the soprano key, while the bass is a figured bass.

This is a manuscript that has a very orderly handwriting, the first letters being ornamented and written in red ink. These manuscripts, known in the musical literature under the name of Tabulatura Fugarum et Praeludiorum, show us that the organ was used as an accompanying instrument for the common song and the liturgical song in the XVIIth century.

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This shows us that the cultural church-related environment in the Evangelical communities of the Transylvanian Saxons was culturally connected to the European values of that period. The musicologist Ursula Philippi carried out a comprehensive analysis of this phenomenon in her doctoral thesis. The paper analyses in a chronological order the forms of musical expression used in the Lutheran Evangelical Churches.

And thus we find out that the Lutheran church music for the mass was based on the Cantatas which were named Dictum as they appeared in the manuscript in Slimnic in which the figured bass and the text of the chorale were written down or in the Sartorius Dictums in Cincu, in which the chorales appeared noted on two staves, with a soprano in the soprano key and a figured bass in the bass key. In other respects, Martin Schneider could be considered a true pedagogue and theoretician in the field of music through the four volumes called Grundlage zur Practischer Tonkunst7.

The treaty is a comprehensive and rigorous paper, approaching all the areas of interest for the music dilletant, willing to learn a new language — that of music….

Cantarile evangheliei pdf

In addition to this volume of chorales, we also have to mention the Chorale Intonations written by Hinrich Mauss dated and Friedrich Lurtz which only paled a role on the local level through the chorales and the chorale preludes. Of course, the organ is also present, being an instrument used in almost all the Lutheran Evangelical churches.

The current records8 which are still kept today carried out between and of these organs show after more than years, in a period in which the German population left Romania to a great extent by resettling in Germany, more than organs.

This book of hymns already achieved the standards of that respective period, each chorale being preceded by a small organ prelude. The book was republished by Frantz Xaver Dressler, an important organ player and pedagogue from Sibiu, and it was used until when the new book of chorales of the Evangelical Church of Augustan Confession in Romania was published.

What we could notice is that if prior to the local organists actually contributed to the renewal of the books of chorales through personal creations or reharmonizations, these new books took over to a great extent the repertoire of the churches in Germany, the new local contribution as repertoire being extremely reduced.

Hence, the new book in the variant for 6 Philippi Ursula, idem 7 Schlandt Steffen, idem, pp 8 www. Chrestel who composed two chorales9. They are Trittst du wieder vor die Nacht no. The novelty after is the issue of a new book of hymns, in a bilingual edition German — Romanian, for the use of the Evangelical communities, which inherited the Augustan traditions of the mother church, the German Evangelical church. This shows that the doctrines and the books of hymns are necessary and that a new church which is now born based on the traditions of a church with a history of years needs a book of hymns based on the tradition of the mother church.

In addition to the lyrics of the melodies for each Sunday and holidays provided by the Agenda of the Evangelical Church of Augustan Confession, the book also includes the Small Catechism under the canonical form of the Evangelical teaching. The cultural role of the Evangelical Church of Augustan Confession was extremely important for the culture in Romania. Certainly, my presentation regarding the role of the Evangelical Church cannot be complete without mentioning the name of Martin Opitz the famous German poet who with the help of Prince Gabriel Bethlen became a teacher with the Alba Iulia Court where he would teach at the College in Alba Iulia, which is considered the forerunner of the Cluj Napoca University.

In one of his published manuscripts, which can be found in the museum in Oradea, I had the honour of finding some chorales written down by the great poet himself. The synods in and laid the organizational foundation of Calvinism in Transylvania.

Between and the Reformed Diocese of Transylvania was incorporated. This church had mainly Hungarian speaking followers.

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This church has not attracted any Romanian followers up to this moment. Currently this church is organized in Romania in two eparchies: the Reformed Eparchy of Transylvania having its seat in Cluj Napoca and the Eparchy attached to Piatra Craiului having its seat in Oradea. The schooling of the Reformed priests is ensured within the Protestant Theological Institute of Cluj-Napoca, in the Hungarian language.

Gheorghe, Odorhei, Tg. As a sign of consideration for the hymnologic past of the Reformed Church, a conference took place this year in Cluj Napoca12 which discussed the problems regarding the hymnological tradition in this church. The historical document is similar to the liturgical song books in XVIth century in the Lutheran, Reformed and Unitarian churches in Transylvania.

The role of the song within the liturgical practice was underlined, the Old Gradual being considered a historical document which preserves the tradition of the songs and the Gregorian liturgical order which was still present in the Reformed Church in Transylvania in the XVIth century.

It is also known under the name of Bethlen Gradual which no longer exists as a manuscript. The Gradual is made up of III parts: hymns for the holidays of the liturgical year, psalms and songs of praise The differences between the Protestant Orthodoxism and the Puritanist movement caused significant prejudices to the Reformed church songs.

CANTARILE EVANGHELIEI PDF

An important role in the practice of the Reformed church is played by the creations transmitted verbally by the native adaptation of the liturgical songs, sometimes transmitted from a generation to the other, and sometimes as a local processing of a musical text already existing in a published book of hymns.

It often happens that the vivid popular interpretation presents significant rhythms or melodic deviations from the books. Sometimes the transcriber could be held responsible for this by writing down things incorrectly, coming to the conclusion that the people kept the form which is more authentic. In other cases, the form in the book of songs is the starting point, yet the foreign and unusual character of the melodic line was removed by the popular use: the communities made it harmonize with the taste of the Hungarian people, made it more vivid, more natural Through their character, these contemporary communities have become true promoters of the Hungarian population, having a claiming cultural character but also closed from the perspective of the collaboration with the Romanian hymnology, regardless of the confession.

On the hymnology in the neo-Protestant churches The tradition of the common song in the neo-Protestant churches is rooted in the practices of the historical Protestant churches, but especially in the history of the Protestantism from America.

It seems that the Reformation in Transylvania, under its intercultural aspect, laid only the right foundation for the development of the neo-Protestant churches, but it had no beneficial historical effect upon their development. The causality could be found in identifying the historical Protestant churches in Transylvania and the history of the minority of Transylvanian Saxons or Hungarians but less or not at all in comparison to the Romanian-speaking population.

Consequently, at least in Romania, the historical Protestant churches have been identified up to this moment as German or Hungarian churches, preserving the cultural values of these communities and less as promoters of the European Reformation.

The European Reformation reached Romania vigorously through the neo-Protestant churches as a beneficial element necessary for finding a new theology equivalent to the European Protestantism.

This is why I consider that in Romania the significant contemporary representatives of the Reformation within the majority Romanian population are the neo-Protestant churches. Scurt istoric The Protestant Churches on the Romanian territory. A Brief History.

All these translations were carried out with the help of the Reformed princes of Transylvania who supported them financially. Although the majority of the Romanian population remained Orthodox, there were also some people who became Reformed. The Romanian Reformed Churches continued to exist for a long time in Transylvania, but finally they disappeared due to the fact that their members were assimilated by the Hungarian communities.

Nowadays there is no longer any Romanian member of the Reformed Church in Transylvania…. The persecution of the Anabaptists in the XVIIIth century was the only case of persecution based on religious reasons in Transylvania, this region of Europe being very permissive from a religious point of view.

Transylvania has never witnessed the bloody civil political and religious wars. Transylvania was the first region in Europe where a decree of religious tolerance was issued, the Turda Edict, which guaranteed the free exercise of religion for the inhabitants of Transylvania and acknowledged the 4 official confession or "accepted religions": The Romanian- Catholic Church, the Lutheran Church, the Reformed Church, the Unitarian Church.

Unfortunately, this tolerance was no longer valid during the communist period in which the political police had as a sole purpose the destruction of the religious concepts and the annihilation of any democratic or religious acceptance attempt.

Cantarile Evangheliei version 1. See below the changes in each version:.

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CÂNTĂRILE EVANGHELIEI

Super cantarile evangheliei dar are nevoie mare de Favorite, sa nu fii nevoit sa cauti mereu cantarile evangheliei cantare preferata. The music and songs See below the changes in each version:. We already checked that the download link to be safe, however for your own protection we recommend that you scan the downloaded software with your antivirus. Over 31 users cantarile evangheliei a average 4.

Related Posts. Add a review Tell us your experience with Cantarile Evangheliei 1. The Reproach meaning and Messages app contains a lot of The Reproach meaning Continue to app Rating: Of songs and classical music to the most recent. A collection of songs that are well known Chinese artists. The music and songs Its purpose is to aid in singing rather than to provide music recordings to listen to.

Click stars to rate this APP!Of course, this paper was not meant to analyze these historical causalities; it rather tried to place in a true positive context the humble, continuous efforts blessed by God regarding an almost unknown repertoire in Western Europe.

Both the Lutherans and the Reformed people tried to determine the Romanian population to become Protestant and in this sense they brought books and Catechisms in the Romanian languages, they appointed ministers and bishops among them. A collection of songs that are well known Chinese artists.

Schlandt, Steffen, Daniel Croner. Benjamin Cocar of Detroit mentions the following: Unfortunately, the limited nature of this essay does not allow me to make a detailed description of this topic, thus I apologize now to those who will not be mentioned in this essay but who we all know as having made a significant contribution to the contemporary Romanian hymnology. It often happens that the vivid popular interpretation presents significant rhythms or melodic deviations from the books.

Although the majority of the Romanian population remained Orthodox, there were also some people who became Reformed.