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MARTINHO DA VILA SAMBA BOOK

Wednesday, March 20, 2019


Martinho da Vila (born February 12, ) is a Brazilian singer and composer who is Furthermore, Martinho composed some of the most important samba At the Book Fair in Paris in , Martinho released his novel Os Lusófonos. Martinho da Vila, Ana Costa, Diogo Nogueira, Elza Soares - Martinho da Vila Samba Book (2CDs+DVD) - sppn.info Music. Disco 1 1. Casa De Bamba 2. O Pequeno Burguês 3. Yá Yá Do Cais Dourado 4. Quem É Do Mar Não Enjoa 5. Pra Que Dinheiro? 6. Linha Do Ão (Tabela Do.


Martinho Da Vila Samba Book

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Find O Samba - Martinho Da Vila and the Vila Isabel Samba School at site. com Movies & TV, home of thousands of titles on DVD and Blu-ray. baixar cd martinho da vila sambabook dvd nome dvdrip () pagode arquivo udio: portugus formato: tamanho.. Results for Dvd samba book zeca. Now 49 years old, Mr. da Vila was born Martinho Jose Ferreira; his name now reflects the Rio de Janeiro samba ''school,'' or performing.

Lovely stuff. Loungey pop, Cuban-style son, Afro-Brazilian percussion, soft ballads and drifting jazz all intermingle alongside Da Vila's usual lovely, luscious samba. One of his more distinctive albums of the era, encompassing a wide variety of styles, yet not treacly or tainted by the sort of sluggish clumsiness that many world-fusion albums often exhibit.

This is a very skillful, very soulful set As ever, Da Vila's delivery is calm and relaxed, and the call-and-response interplay between him and the chorus brings that style to an artistic high point, again showing his mastery of the form. Side Two unfortunately features an interminable twelve-tune Carvaval medley, which, as these things go, isn't so bad.

But it pales in comparison to the gorgeous Da Vila originals which make up the rest of the album.

The Many Lives of Martinho da Vila

Not exactly what you expect in a Martinho Da Vila album. To be fair, though, there are songs on it that are classic Martinho-style samba, it's just that the album as a whole is a bit irritating Okay, but not great.

Martinho Da Vila "Verso E Reverso" BMG-Brasil, Produced by Rildo Hora Although the intrusions of modern instruments are minor -- mainly the electric bass -- they do indicate a slight tilt towards the style of the times, as does a teensy hint of disco-y production on a couple of tracks. Really, there's nothing unpleasant on this album, but it doesn't have the sublime feel of his best stuff. Worth checking out, though, of course! This album was recorded after a trip to Angola, and like many of his Brazilian MPB compatriots who had gone to Africa, Da Vila found himself swept up in the powerful emotions of a return to Mother Africa.

On "Negros Odores," he addresses the Afro-Brazilian connection, name checking numerous African countries while putting forth an afrocentric spiritual-political viewpoint amid a rather lovely melody, I might add. The album adds on a sad note, with the song "Clara Nunes," a tribute to the pagode samba queen who had died earlier the same year.

Straightforward, gorgeous acoustic samba melodies, with standard-issue yet rapturous cavaquinho-and-chorus arrangements. Highly recommended. But on the whole, this is the same wonderful formula of catchy cavaquinho riffs, warm choruses, and lulling melodies which makes for some very pleasant listening.

Da Vila is playing the role of romantic crooner, rather than samba savior, but if you give it this record a chance, it'll grow on you.

Books, Martinho Da Vila

Worth checking out. This is mostly a straight-ahead old-school pagode album, though a tune or two towards the end of the album have more of a jazzy, pop-vocals feel. This one's a winner, though Yet another nice pop-samba album, so deftly delivered that even the iffy production touches that would make make me cringe anywhere else, simply glide by as part of the landscape on this disc, telephone poles on the way to the beach.

This isn't the most magical album ever, but it's pretty darn good. Martinho Da Vila "O Canto Das Lavadeiras" Sony-Brasil, Produced by Rildo Hora Dedicated to working-class laundresses, this set of socially-conscious samba-pop songs has a few modern production touches that may be off-putting to acoustic purists -- electric keyboards, bass, etc.

Perhaps not his greatest work, but still nothing to sneeze at.

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More nice, typical Da Vila fare. He entered the Army where he qualified as a bookkeeper and accountant, attaining the rank of sergeant. Soon after he left the Army because he already had music as his chosen profession. Many of these early songs already show his hallmarks — samba rhythm laid down by the cavaquinho and pandeiro, very simple chords, with phrases from his voice repeated in echo by female backing vocalists.

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What makes him delightful is the good humour of the words, the easy resonance of the low notes, the excitement when he throws his voice upwards — and of course the amazing facility in singing the words on top of the rhythm. Samba to make anyone dance with a smiling face! This was still in the days of LPs vinyl and big recording studios, when a successful album could bring a lot of income.

During this time, widely known and highly regarded, he went back to his native Duas Barras for a festival in his honour organized by the Prefeitura — and discovered the Fazenda where he was born was up for sale.

Guitarist Rosinha De Valenca plays on several songs; Da Vila also starts his long association with Rildo Hora, who plays on one song and co-produces the album.

If you're looking for a great early Martinho da Vila album, this would do fine. But if you're looking for the best Martinho da Vila albums, you could poke around a little more.

Pleasant acoustic samba material with the cavaquinhos, chorus and Da Vila's flawlessly suave vocals, but it does seem a bit by-the-book. One standout number is a zippy little forro song that rounds off the end of the album.

This might not be Da Vila's best album, but it's still pretty groovy. Da Vila's version is appropriately great, as are his new originals and a medley of songs written by Monsueto which kicks off the album.

Also featured are sweet sambas by Monarco and Joao Nogueira, and several new ones by Da Vila himself Another gorgeous album -- classic '70s samba. There are a couple of misfires like the blaring trumpets on Joao Santiago's "Hino Dos Batutas de Sao Jose" , but overall, quite a yummy album.

Once again, hard to complain about anything on this one.

Ex-Amor Lyrics

Lovely stuff. Loungey pop, Cuban-style son, Afro-Brazilian percussion, soft ballads and drifting jazz all intermingle alongside Da Vila's usual lovely, luscious samba. One of his more distinctive albums of the era, encompassing a wide variety of styles, yet not treacly or tainted by the sort of sluggish clumsiness that many world-fusion albums often exhibit.

This is a very skillful, very soulful set As ever, Da Vila's delivery is calm and relaxed, and the call-and-response interplay between him and the chorus brings that style to an artistic high point, again showing his mastery of the form. Side Two unfortunately features an interminable twelve-tune Carvaval medley, which, as these things go, isn't so bad.

But it pales in comparison to the gorgeous Da Vila originals which make up the rest of the album. Martinho Da Vila "Sentimentos" BMG-Brasil, Produced by Rildo Hora Despite the melow-sounding title, this disc is actually a bit on the edgy side; there's a driving, aggressive feel that I can't quite place my fingers on, but for some reason I found this disc a little grating, and that I was put on edge by it.

Not exactly what you expect in a Martinho Da Vila album. To be fair, though, there are songs on it that are classic Martinho-style samba, it's just that the album as a whole is a bit irritating Okay, but not great.

Martinho Da Vila "Verso E Reverso" BMG-Brasil, Produced by Rildo Hora Although the intrusions of modern instruments are minor -- mainly the electric bass -- they do indicate a slight tilt towards the style of the times, as does a teensy hint of disco-y production on a couple of tracks.

Really, there's nothing unpleasant on this album, but it doesn't have the sublime feel of his best stuff. Worth checking out, though, of course!

This album was recorded after a trip to Angola, and like many of his Brazilian MPB compatriots who had gone to Africa, Da Vila found himself swept up in the powerful emotions of a return to Mother Africa.

On "Negros Odores," he addresses the Afro-Brazilian connection, name checking numerous African countries while putting forth an afrocentric spiritual-political viewpoint amid a rather lovely melody, I might add.site Renewed Refurbished products with a warranty.

In English and Portuguese. He also devised, in partnership with Maestro Bruno Leonardo, the Black Concert, a Symphonic performance that focuses on the participation of black musicians in classical music.

Yet through Martinho, now in his 70s and still going strong, Gachot asserts that samba is also deeply lyrical, poetic, and political, providing a foundation upon which the carnivalesque stands firm. As he himself says —. Sell on site.